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How Conor McGregor was the role model for King Arthur: Legend of the Sword –...

Guy Ritchie’s take on the Arthurian legend stars Charlie Hunnam as the mythical British monarch – here Ritchie and Hunnam explain how MMA fighter McGregor was crucial in their conception of the...

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Charlie Hunnam: ‘When Beckham came on set, tough guys turned into little...

In King Arthur: Legend of the Sword, the Sons of Anarchy star reunites with Queer as Folk co-star Aidan Gillen – did they manage to survive a set full of jujitsu hardmen? Hello Charlie. In Guy...

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King Arthur: Legend of the Sword review – medieval banter, slapdash mythology

Guy Ritchie’s film is low on originality, but might please devotees of his shtickCharlie Hunnam is a handsome, hulking blond whose easy charm seems familiar, but implacable. Then I remember where I’ve...

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King Arthur; Baywatch; The Red Turtle; 3 Hearts and more – review

Guy Ritchie’s sword-and-sorcery epic and a remake of a 90s camp classic fall flat while there are delights for young and old alike elsewhereAs the days shorten, outfits lengthen and autumn greets us...

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Snatch: a cock-er-nee gangster tale that’s a right load of old pony

Guy Ritchie’s tale of bare-knuckle boxing, diamonds and geezers is transplanted to the small screen. They really shouldn’t have gone to the Barney RubbleBlimey fellas, strike a light – the cockney...

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British cinema’s exclusion of the young, skint and state educated is a...

The 1963 arrival of Billy Liar looked like the beginnings of a more democratic, working-class film industry. So why are we still stuck with polite social realism and sniggery classism?Billy Liar always...

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Violence! Vinnie Jones! What we can expect from Guy Ritchie's Aladdin

With the Snatch film-maker’s live-action adaptation of the Disney film on its way, what will his ‘non-traditional’ take on the tale be like? We’ve got a few ideas...[Slow-motion chase through a market...

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A whole new world: does the new Aladdin fetishise Middle Eastern culture?

Guy Ritchie’s new film evokes a fantasy Arabia, following Hollywood’s long tradition of problematic stereotypes A new Aladdin movie means a return to Hollywood’s perennial Arab problem, which in this...

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Aladdin review – live-action remake really takes flight

Guy Ritchie’s adaptation is lively, colourful and genuinely funny – making only judicious tweaks to the original, it’s thankfully not a whole new worldThe scimitars are out for Disney’s live-action...

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Aladdin review – can’t put the genie back in the bottle

Guy Ritchie’s live-action remake of the 90s Disney animation fails to capture the magicI understand why in 2019, Aladdin would seem ripe for a revival – in Disney’s 1992 animated musical, its heroine,...

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The Gentlemen trailer – how ridiculous can Guy Ritchie's new movie get?

The director goes back to his crime caper roots, firing Matthew McConaughey and Colin Farrell at Downton’s Michelle Dockery and a cockney Hugh Grant. Sort that outGuy Ritchie is course-correcting....

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The Gentlemen review – Guy Ritchie returns to his signature style

Another dose of geezer-gangstery made all the more watchable by star turns from Matthew McConaughey and Hugh GrantThe gentlemen are also the players in this typically class-conscious film by...

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The Gentlemen review – Guy Ritchie’s dated gangster romp

Matthew McConaughey, Michelle Dockery and Hugh Grant are amusingly cast, but that doesn’t excuse the casual racismGuy Ritchie’s latest gangster comedy presents itself as a harmless romp, but behind its...

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My favourite film aged 12: Lock, Stock and Two Smoking Barrels

With four-letter words and violence by the bucketload, Guy Ritchie’s gangster flick had everything a 12-year-old boy could want – and it still doesRead all the other My favourite film choicesWhen I was...

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Holy grail or poisoned chalice: why does Hollywood always mess up King Arthur?

Zack Snyder looks set to pull the sword from the franchise stone – but will it be another Hollywood fart in the Arthurian mythos’s general direction?It’s a popular lament in the comment section of this...

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Hear me out: why King Arthur: Legend of the Sword isn't a bad movie

The latest in our series of writers making a case for a mostly loathed movie is a defence of Guy Ritchie’s laddish take on a well-told legendThe catastrophic box office performance and scathing reviews...

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Wrath of Man review – Guy Ritchie and Jason Statham reunite in punchy thriller

While hinged on a threadbare plot as familiar as it is forgettable, this sinewy action B-movie delivers just about enough primal entertainmentThe making of Jason Statham, from wheeler-dealer to swimmer...

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The Guardian view on a chess renaissance: it’s not black and white | Editorial

Pandemic boredom drove many to the game, and The Queen’s Gambit piqued the interest of more. Will it last?The grand, historic but occasionally lampooned sport of chess believes its moment has come,...

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Talents of Madonna’s son divide critics after he is revealed as secret artist

Rocco Ritchie, 21, has been selling his paintings for up to five figures under the mysterious pseudonym RhedHe is a mysterious, up-and-coming artist whose work has been championed by the likes of...

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Skate parks and shooting cabins: do the super-rich care nothing for their...

Let no one stand in the way of the property ambitions of Guy Ritchie and coSupposing the one per cent read newspapers, some of them may have become dimly aware of a cultural glut, last week examined by...

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